Art Deco vs Art Nouveau Interior Design: Key Differences

Two of history’s most distinctive decorative arts movements, and most people can’t tell them apart.

The debate around Art Deco vs Art Nouveau interior design comes up constantly, whether you’re renovating a period home, sourcing vintage furniture, or trying to identify a style you love but can’t name.

They share a timeframe and a commitment to beauty. Beyond that, they couldn’t be more different: one celebrates organic, handcrafted forms pulled from nature; the other embraces geometric patterns, machine-age materials, and bold symmetry.

This guide covers what defines each movement, how their philosophies, color palettes, furniture, and surface treatments differ, and which historical design style actually works in a modern home.

What Is Art Nouveau Interior Design

Art Nouveau is a decorative arts movement that peaked between 1890 and 1910, built entirely around organic, nature-inspired forms. It rejected the rigid historicism of 19th-century design and set out to blur the line between fine art and everyday objects.

The movement didn’t just show up in paintings. It absorbed architecture, furniture, glass, ceramics, ironwork, and interior design history as a whole, treating every surface of a room as part of one unified artistic statement. Germans called it Jugendstil. In Austria it was Sezessionstil. In Spain, Modernismo.

Origins and Key Figures

Where it started: Brussels, 1890s. The first true Art Nouveau interiors appeared in residences designed by Victor Horta, Paul Hankar, and Henry van de Velde.

• Victor Horta’s Hotel Tassel (1893) is widely cited as the first fully-realized Art Nouveau building, with sinuous ironwork, floral mosaic floors, and walls flowing into ceilings without hard transitions
• Hector Guimard brought the style to Paris, most visibly through the organic cast-iron entrances to the Paris Metro
• Louis Comfort Tiffany defined the American version through stained glass windows, iridescent lamp shades, and nature-inspired motifs
• Emile Galle and Louis Majorelle in Nancy were central to Art Nouveau furniture, carving asymmetric forms directly from the natural grain of wood

The movement drew heavily from William Morris and the British Arts and Crafts movement, which insisted that handcrafted objects carried more value than machine-made ones. Art Nouveau took that philosophy and pushed it further, making the handmade object itself a work of art.

Defining Visual Characteristics

The line is everything in Art Nouveau. Curvilinear, asymmetric, and pulled from nature: vine tendrils, flower stalks, insect wings, and the female form. Britannica describes this as an “undulating asymmetrical line” that subordinates all other design elements to its decorative effect.

Rooms feel grown rather than built. The botanical interior style it created was deliberately soft, layered, and handcrafted, with no surface left plain.

Why Art Nouveau Faded

By the early 1900s, the style was already losing ground. Its ornate detail and costly production methods were increasingly out of step with a world moving toward industrialization.

World War I accelerated that decline. A more functional, stripped-down approach to design replaced the elaborate decoration of the Belle Epoque. By the 1920s, Art Deco home decor had taken over as the dominant decorative style, offering something Art Nouveau simply couldn’t: a modern machine-age aesthetic that felt appropriate for the post-war era.

What Is Art Deco Interior Design

Art Deco is the design language of the 1920s and 1930s. It is geometric, symmetrical, and deliberately glamorous, built to celebrate modernity, technology, and the optimism of a post-war world moving fast.

The style takes its name from the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes in Paris, where 15,000 exhibitors from 20 countries showcased a range of objects that balanced luxury craftsmanship with machine-age aesthetics. That exposition drew over 16 million visitors and sent Art Deco around the world within years.

Origins and Key Figures

Britannica describes Art Deco as “modernism turned into fashion.” That’s accurate. It wasn’t a manifesto or a movement with a single philosophy. It was a style that absorbed Cubism, Egyptian revival motifs, Bauhaus geometry, and the visual energy of the Ballets Russes and turned all of it into something glamorous and accessible.

• Jacques-Emile Ruhlmann was the leading Art Deco furniture designer, working with exotic veneers and ivory inlays for wealthy patrons
• Eileen Gray brought a more modernist rigor to Deco interiors, using lacquered surfaces, chrome, and clean geometric forms
• The Chrysler Building (1930) and Radio City Music Hall remain the most recognizable examples of Art Deco in built form
• Claridge’s Hotel in London still shows one of the best-preserved Art Deco interior environments in the world

The style also drew from Egyptian revival following the 1922 discovery of Tutankhamun’s tomb, incorporating stepped forms, fan patterns, and stylized hieroglyphic motifs into decorative objects and architectural details.

Defining Visual Characteristics

Where Art Nouveau curves, Art Deco angles. That’s the simplest way to see the difference at a glance.

Core geometric vocabulary: chevrons, sunbursts, stepped forms, fan patterns, and zigzag patterns. Symmetry is strict. Lines are sharp. The overall effect is theatrical rather than botanical.

The global interior design market was valued at $136.12 billion in 2023 (Grand View Research), growing steadily as consumers continue investing in period-inspired and luxury residential design. Art Deco remains one of the most referenced historical styles in high-end hospitality and residential projects.

How the Two Movements Differ in Philosophy

The visual difference between Art Deco and Art Nouveau is obvious once you know what to look for. The philosophical gap is what explains why they look so different in the first place.

These weren’t just two aesthetic camps. They were two completely opposite positions on what design should do and what it should celebrate.

Art Nouveau’s Core Belief

Nature over machine. Craft over production. Art in everyday life.

Art Nouveau grew directly from William Morris’s Arts and Crafts philosophy, which held that industrialization was dehumanizing. The goal was to put handmade beauty back into ordinary objects and spaces. Every piece of furniture, every tile, every iron railing was supposed to be a small work of art.

• Rejected mass production in favor of skilled individual craftsmanship
• Sought to blur the boundary between fine arts and applied arts
• Treated the home as a “Gesamtkunstwerk,” a total work of art where every element worked together

The problem, eventually, was cost. Producing this level of hand-crafted detail was expensive, and critics began calling the style self-indulgent as the world’s circumstances changed.

Art Deco’s Core Belief

Art Deco was, in part, a direct response to Art Nouveau. And it took the opposite position on almost everything.

As The Art Story notes, Art Deco “emphasized machine-age streamlining and sleek geometry” where Art Nouveau “extolled the virtues of the hand-crafted.” Deco didn’t just tolerate mass production. It celebrated it. Chrome replaced ivory. Bakelite replaced mother of pearl. Concrete replaced granite. The style took pride in manufactured materials.

The philosophical split in plain terms:

• Art Nouveau: design should reconnect people with nature and handcraft
• Art Deco: design should celebrate human progress, technology, and modern materials
• Art Nouveau: asymmetry, because nature isn’t symmetric
• Art Deco: symmetry, because machines and order are modern ideals

This split shows up in every decision made within each style, from the curve of a chair leg to the way a ceiling meets a wall. Understanding the principles of interior design that underpin each movement makes identifying them much faster in practice.

A Note on Influence

Art Deco didn’t erase Art Nouveau. It absorbed it.

Ruhlmann, the defining Art Deco furniture designer, still used exotic materials that Nouveau designers favored. Early Deco pieces retained some floral motifs, but stylized them into geometry. The two movements share DNA. They just reached completely different conclusions about what modern design should look like.

Line, Shape, and Pattern Compared

This is where you learn to tell them apart on sight. No deep knowledge required. Once you understand how each style handles line in interior design, the difference becomes obvious within seconds.

Art Nouveau: The Organic Line

Art Nouveau’s defining characteristic is its sinuous, curvilinear line. Think of it as drawing from observation of nature rather than from geometry.

If the pattern looks like it grew, it’s Nouveau.

• Flowing lines that mimic vine tendrils, flower stalks, and wave forms
• Asymmetry throughout: no two sides of a composition are the same
• Forms that transition into each other continuously, with no hard breaks
• The “whiplash” curve, a tight S-shaped form that became the movement’s signature mark

In architecture, this meant columns that looked like tree trunks. Staircase railings that moved like water. Window frames that bloomed at the corners. Asymmetry in interior design is central to the Nouveau vocabulary, and it makes spaces feel alive rather than composed.

Art Deco: The Geometric Line

If the pattern looks like it was drafted, it’s Deco.

Art Deco lines are straight, angular, and built on strict geometric logic. Symmetry dominates. The style’s favorite forms include:

• Chevrons and zigzag patterns running across floors, walls, and textiles
• Sunburst motifs radiating outward from a central point
• Stepped pyramidal forms in everything from furniture profiles to ceiling details
• Fan patterns used in everything from floor inlays to decorative moldings in Art Deco homes

Symmetry in interior design is almost non-negotiable in Deco spaces. Mirror a fireplace wall. Center a chandelier. Balance flanking furniture pairs. The visual logic is always bilateral and ordered.

Pattern and Rhythm Side by Side

Pattern in interior design plays a defining role in both styles, but the grammar is opposite. Understanding this difference makes sourcing materials, wallpapers, tiles, and textiles for either look significantly easier.

Color Palettes in Art Nouveau and Art Deco Interiors

Color choices in both styles are direct extensions of their core philosophies. Art Nouveau reaches toward the muted tones found outdoors. Art Deco reaches toward contrast, theater, and statement.

Getting color in interior design right is where a lot of period-inspired rooms succeed or fall apart. The wrong palette undermines everything else.

Art Nouveau Color: Earthy and Botanical

Nouveau palettes draw from the natural world. Soft, aged, and organic in character.

Typical Art Nouveau colors:

• Sage green and dusty olive, referencing foliage and moss
• Dusty rose and muted lavender, pulled from flower petals
• Warm ochre and golden yellow, echoing autumn light
• Ivory and warm cream as neutral bases
• Peacock blue and deep teal used as richer accents

Nothing is sharp or high-contrast. The colors blend into each other the way they do in a garden. That softness is deliberate. For anyone interested in how these color theory principles translate to real rooms, Nouveau is one of the more forgiving historical palettes to work with today.

Art Deco Color: Contrast and Drama

Art Deco doesn’t whisper. It uses contrast in interior design as a core tool, pairing opposites deliberately to create impact.

Classic Deco pairings:

• Black and gold, the most recognizable Deco combination
• Deep teal and cream, used extensively in 1920s and 1930s hotel lobbies
• Emerald green against ivory or warm white
• Rich burgundy with chrome and mirrored accents

Gold is one of Art Deco’s defining accent colors, used in gilded moldings, lacquered frames, and hardware throughout a space. It reads as luxurious rather than gaudy when paired correctly with deep, saturated walls.

Claridge’s Hotel in London, which retains its 1930s Art Deco interiors largely intact, demonstrates exactly how well the high-contrast Deco palette holds up. Deep lacquered walls, chrome details, and geometric carpeting in black and amber are as striking now as they were when first installed.

Furniture and Decorative Objects

Furniture is where the philosophical difference between these two movements becomes most tangible. You can feel it in the weight of a chair, the profile of a cabinet, the way a lamp casts light.

Both styles produced exceptional decorative objects. But the approach to form, material, and production could not be more different.

Art Nouveau Furniture

Art Nouveau furniture is sculpture that you also sit in. The form comes first. Function accommodates it.

Emile Galle and Louis Majorelle, both based in Nancy, produced the definitive Art Nouveau furniture pieces. Majorelle’s carved mahogany pieces used the natural grain of the wood as part of the decorative effect. Galle inlaid insects and botanical specimens directly into tabletops and cabinet doors.

• Asymmetric silhouettes with no two legs or sides matching exactly
• Carved organic forms: cabriole-style legs flowing into floral foot details
• Inlaid marquetry in wood, with plant and animal motifs
• Permanently installed wall paneling and molding using the same sinuous forms as furniture

Decorative objects in Art Nouveau rooms tend toward Tiffany-style stained glass lamps, ceramic vases with botanical relief, and carved wooden frames. Everything is handcrafted, and often one of a kind. That’s also why sourcing authentic Art Nouveau pieces for a real interior today is expensive and tricky.

Art Deco Furniture

Art Deco furniture is clean, bold, and structured. The silhouettes are geometric. The surfaces are lacquered or veneered. And unlike Nouveau pieces, Deco furniture was designed to work in a range of interiors, not just highly specific architectural environments.

Ruhlmann used exotic veneers like amboyna and macassar ebony on streamlined case pieces with tapered legs. Eileen Gray brought a more rigorous modernism to Deco, with lacquered screens, tubular chrome frames, and adjustable side tables that still feel contemporary now.

Key Art Deco furniture forms:

• Deep, structured club chairs and curved sofas with geometric upholstery
• Lacquered sideboards and cocktail cabinets with chrome hardware
• Waterfall furniture: pieces with rounded, cascading edges instead of hard corners
• Mirrored dressing tables and bedroom suites with stepped profiles

Decorative objects shift accordingly. Chrome candlesticks, geometric figurines, lacquered trays, and mirrored glass accessories replace Nouveau’s botanical ceramics. The details in interior design at this scale are what separate a genuinely well-executed Deco room from one that just has geometric wallpaper and calls it done.

Comparing Furniture Approaches

One note on mixing the two: it can work, but only if you anchor the room to one style and use the other as a subtle reference. A Deco-framed room with one Art Nouveau ceramic on a lacquered shelf reads as considered. A room that tries to be both equally ends up looking like neither.

Wall Treatments, Flooring, and Architectural Details

The fixed surfaces of a room cost the most to change. Getting wall treatments, flooring, and architectural details right for either style is where the real investment happens, and where the biggest visual impact lands.

Both movements treated surfaces as integral parts of the design, not afterthoughts. But their approach to what goes on those surfaces is almost completely opposite.

Art Nouveau Wall and Floor Choices

Every surface is part of one continuous composition. Art Nouveau interiors left no wall, floor, or ceiling plain.

• Hand-painted murals with botanical motifs, often running from skirting boards to ceiling
• Floral wallpaper in muted ochre, sage, and dusty rose tones, often designed by the same artist who designed the furniture
• Plaster relief with organic motifs, particularly around doorframes and ceiling edges
• Mosaic tile flooring in earthy tones with floral and insect patterns
• Encaustic tile used heavily in entryways and conservatory floors

Victor Horta’s Hotel Tassel in Brussels is the clearest reference point here. The mosaic floors and wall arabesques in floral and vegetal forms flow into one another without hard transitions, treating the entire interior as a single decorative field.

For texture in interior design, Art Nouveau interiors are unmatched in layering. Carved plaster over wallpapered walls over inlaid wood floors creates depth that no single surface treatment can replicate.

Art Deco Wall and Floor Choices

Art Deco surfaces are structured, high-contrast, and geometrically precise. The decorative treatment follows the room’s architecture rather than dissolving it.

Wall treatments:

• Lacquered wall panels in deep jewel tones or black, often framed with gilded moldings
• Geometric wallpaper in repeating chevron, zigzag, or stepped patterns
• Bold friezes running at cornice level with stylized motifs from Egyptian or Aztec sources

Flooring:

• Marble in high-contrast combinations, black and white being the most classic
• Terrazzo with geometric inlay patterns in brass or contrasting stone
• Parquet flooring with bold geometric inlay at borders

Radio City Music Hall in New York, completed in 1932, remains the most studied Art Deco interior in existence. Its stepped ceiling details, geometric carpet patterns, and gold-leaf wall treatments show exactly how architectural details and surface treatments work together in a fully realized Deco space.

An accent wall done in lacquered panels or bold geometric tile is one of the most practical ways to introduce Art Deco character into a contemporary room without a full renovation.

Architectural Details Compared

The focal point in interior design operates differently in each style. In Art Nouveau, the entire room competes for attention. In Art Deco, one dominant element, typically a fireplace wall, a ceiling detail, or a statement floor, anchors the space, and everything else supports it.

Which Style Works Better for Modern Homes

Art Deco adapts to contemporary homes more readily than Art Nouveau. That’s not an opinion, it’s a practical observation about how each style interacts with standard modern architecture.

According to research by 1stDibs, Art Nouveau rose four positions as a furniture search term in 2024, signaling genuine growing interest. But interest doesn’t always translate to successful execution in modern spaces.

Why Art Deco Translates More Easily

Art Deco’s geometric logic is compatible with the clean lines and rectilinear architecture of most contemporary homes.

Practical advantages:

• Geometric patterns work on standard flat walls without requiring curved architecture
• Chrome, lacquer, and marble are all readily available as modern finishes
• Deco furniture reproductions are widely sold at accessible price points
• The emphasis in interior design that Deco demands, one strong focal point per room, suits how most people actually live and furnish spaces

LuxDeco’s 2024 trend report noted Art Deco as one of the key styles making a comeback, specifically citing its compatibility with “sleek furniture with clean lines and metallic accents” in contemporary rooms. That framing is correct. You can drop a lacquered Deco-style sideboard into a modern apartment and it works. You can hang a sunburst mirror over a plain fireplace and it reads immediately.

The Challenge with Art Nouveau Today

Art Nouveau is harder. Significantly harder, actually.

The style was designed for specific architecture. Victor Horta’s interiors were inseparable from the buildings he designed around them. Curved archways, organic ironwork, and mosaic floors require structural commitment that standard drywall boxes simply don’t support.

Where it gets tricky:

• Authentic Art Nouveau pieces are rare and expensive, largely from auction houses rather than retail
• Reproducing the organic plaster details and handcrafted ironwork is custom work, not off-the-shelf
• The botanical interior style works best when the architecture has curves to begin with

That said, the connection between Art Nouveau and biophilic interior design is real and increasingly relevant. Searches for indoor plant decor climbed 35% in 2024, according to Houzz. Art Nouveau’s core sensibility, nature inside the home, organic forms, tactile handcrafted surfaces, aligns closely with what biophilic design is trying to achieve today. The difference is just execution.

Hybrid Approaches That Actually Work

Art Deco structure with Nouveau-inspired textiles is the most reliable hybrid approach.

Combinations worth trying:

• Geometric Deco wallpaper in a bedroom paired with Art Nouveau-inspired floral bedding in muted tones
• A clean-lined Deco room with one Art Nouveau ceramic lamp or vase as a single statement object
• Art Nouveau-style botanical wallpaper in a bathroom with geometric black and white tile flooring

The rule: anchor the room to one style, then reference the other in a single, contained element. Trying to balance both equally produces visual noise rather than considered design.

Art Deco vs Art Nouveau by Room Type

Both styles have rooms where they naturally succeed and rooms where they require real compromise. Knowing which is which saves time and money.

Living Room and Common Areas

Art Deco wins here, and it’s not particularly close.

The living room is where symmetry, focal points, and statement furniture matter most. All three are Deco strengths. A deep-toned lacquered console table, a geometric rug in black and gold, flanking chairs with stepped profiles, a sunburst mirror above a fireplace: each of these works independently and as a set.

Lighting matters significantly in a Deco living room. Pendant lighting with geometric frosted glass shades or stepped chrome frames is one of the quickest ways to establish period character without touching the walls. Ambient lighting in a Deco space typically comes from recessed cove lighting that washes the ceiling rather than from a central fixture. Accent lighting on art, sconces flanking a fireplace, and under-lit display shelving all reinforce the high-contrast Deco palette.

Art Nouveau in a living room works well in eclectic interior design contexts, layered against other periods rather than as the sole reference. A Morris & Co.-inspired wallpaper, a Tiffany-style lamp, and carved wooden picture frames can all coexist in a room that isn’t trying to be a period recreation.

Bathroom and Kitchen Applications

The bathroom is where both styles genuinely compete, and which works better depends entirely on the architecture.

Art Deco bathrooms are the easier project. Black and white geometric tile flooring, chrome fixtures, a stepped mirror frame, and a claw-foot tub with geometric feet: all of these are available new from mainstream suppliers. The geometric tile patterns used in 1920s and 1930s bathrooms aged beautifully, as mosaic tile retailer Mosaic Tile noted in 2024: “bold hex patterns and high-contrast basketweave floors feel right at home in minimalist and contemporary spaces.”

Art Nouveau bathrooms are genuinely beautiful but harder to source. Shower designs that incorporate botanical mosaic tile and freestanding soaking tubs with carved organic feet exist, but they’re custom or high-end retail rather than accessible renovation choices.

Kitchen verdict: Art Deco is more practical here. Clean geometric lines, chrome hardware, and high-gloss lacquered cabinet fronts all read as Deco and are available from standard kitchen suppliers. Art Nouveau in a kitchen is almost impossible to execute functionally without custom cabinetry and significant budget.

Bedroom

Both styles work in a bedroom, but they produce completely different results.

Art Deco bedroom: sophisticated, structured, deliberately glamorous. Lacquered headboard, geometric bedding, mirrored dressing table, stepped table lamps with frosted glass shades. The Art Deco bedroom reads as a hotel suite. That’s either exactly right or completely wrong depending on what you want from a bedroom.

Art Nouveau bedroom: romantic, layered, botanical. Floral wallpaper in muted tones, carved wooden bed frame, stained glass lampshade, botanical prints in gilded frames. The overall effect is softer and more personal than Deco. It suits romantic bedroom decor approaches, and it’s also one of the easier rooms to achieve Nouveau character in without custom architecture, because the surfaces that carry the style (wallpaper, textiles, decorative objects) are all changeable.

Of the two, the Art Nouveau bedroom is the more forgiving project for a non-specialist renovation. The Art Deco bedroom makes a stronger first impression but requires more precision to execute well.

FAQ on Art Deco vs Art Nouveau Interior Design

What is the main difference between Art Deco and Art Nouveau?

Art Nouveau uses organic, flowing lines drawn from nature. Art Deco uses geometric patterns and strict symmetry celebrating the machine age. One feels grown; the other feels drafted. The philosophical gap between them is as wide as the visual one.

Which came first, Art Nouveau or Art Deco?

Art Nouveau came first, peaking between 1890 and 1910. Art Deco followed in the 1920s and 1930s, partly as a direct reaction against Nouveau’s elaborate, handcrafted aesthetic. Deco essentially replaced Nouveau after World War I changed cultural priorities.

Can you mix Art Deco and Art Nouveau in one room?

Yes, but anchor the room to one style. A geometric Deco space with a single Art Nouveau ceramic lamp works well. Trying to balance both equally creates visual conflict rather than considered period interior decoration.

What materials are typical in Art Nouveau interiors?

Wrought iron, stained glass, carved wood, encaustic tile, and ceramic mosaic. Materials were chosen for their organic qualities. Louis Comfort Tiffany’s iridescent glass and Louis Majorelle’s inlaid marquetry furniture are the most recognizable examples of the style’s material vocabulary.

What materials define Art Deco interiors?

Chrome, lacquered wood, marble, mirrored glass, exotic veneers, and terrazzo. Art Deco embraced manufactured materials alongside luxury ones. Jacques-Emile Ruhlmann used amboyna veneer and ivory inlays. Later Deco replaced gold with chrome as economic conditions changed through the 1930s.

Is Art Deco easier to achieve in a modern home than Art Nouveau?

Significantly easier. Art Deco’s geometric logic works on standard flat walls without curved architecture. Reproductions are widely available. Art Nouveau requires custom craftsmanship and suits specific architectural conditions that most contemporary homes simply don’t have.

What colors are used in Art Nouveau interiors?

Muted, earthy tones: sage green, dusty rose, ochre, warm ivory, and peacock blue. The palette references the natural world directly. Nothing is high-contrast. Colors blend softly, the way foliage transitions across seasons rather than opposing each other.

What colors are used in Art Deco interiors?

High-contrast combinations dominate: black and gold, deep teal and cream, emerald and ivory. Jewel tones paired with metallic accents are the defining Deco palette. Claridge’s Hotel in London shows exactly how well these combinations hold up across decades.

Which style is better for a bathroom?

Both work, but for different budgets. Art Deco geometric tile, chrome fixtures, and stepped mirror frames are available from mainstream suppliers. Art Nouveau mosaic tile and carved organic details require custom or high-end sourcing, making them a costlier and more complex project.

Is Art Nouveau making a comeback in interior design?

Yes. According to 1stDibs, Art Nouveau rose four positions as a furniture search term in 2024. Its organic forms align closely with the growing interest in biophilic design and nature-connected interiors, making it relevant again for the first time since its 1960s revival.

Conclusion

This conclusion is for an article presenting Art Deco vs Art Nouveau interior design as two movements that look related but operate on completely different logic.

Art Nouveau belongs to the handcrafted, botanical world of Victor Horta and Louis Majorelle. Art Deco belongs to the machine age: chrome, terrazzo, stepped cornices, and high-contrast color palettes.

Neither is universally better. But for most modern homes, Deco is the more practical starting point.

If you’re drawn to organic wall motifs, encaustic tile, and the curvilinear asymmetry of the Belle Epoque, Nouveau rewards the commitment. If you want decorative arts that work with contemporary architecture without custom builds, Deco is the clearer path.

Pick one. Execute it well. That’s the whole strategy.

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Andreea Dima

Andreea Dima is a certified interior designer and founder of AweDeco, with over 13 years of professional experience transforming residential and commercial spaces across Romania. Andreea has completed over 100 design projects since 2012. All content on AweDeco is based on her hands-on design practice and professional expertise.

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