Not all classic rooms are created equal. The phrase “traditional interior design styles” covers a wide range of period-based aesthetics, from the ornate excess of Victorian parlors to the sun-bleached warmth of French Country farmhouses.

Each style has its own history, its own rules, and its own visual logic.

Knowing the difference between Georgian restraint and Regency boldness, or between American Colonial simplicity and Mediterranean warmth, changes how you approach a room entirely.

This guide covers the six main traditional styles, the design principles they share, and how to apply them in a modern home without making your space feel like a museum.

What Is Traditional Interior Design

Traditional interior design refers to styles rooted in 18th and 19th century European decor, primarily drawing from English and French influences. It is not a single look but a broad category that covers multiple distinct period-based design styles, each with its own rules, materials, and history.

A lot of people confuse “traditional” with simply being old-fashioned or formal. That is not quite right.

Traditional design is defined by specific principles: formal room symmetry, rich natural materials, architectural millwork, and warm, layered color palettes. These are not decorating trends. They are structural decisions that shape how a room is built, not just how it is dressed.

How Traditional Design Differs from Similar Styles

The confusion between traditional, transitional, and classic design comes up constantly, and honestly, it is understandable.

Style Core Character Key Difference
Traditional Period-specific, ornate, and formal. Strictly tied to historical European eras (e.g., Louis XV, Georgian).
Transitional A curated mix of traditional and contemporary. Intentionally blends different eras to create a balanced, updated look.
Classic Timeless, restrained, and enduring. Focuses on “staple” designs that are not tied to a single fleeting period.
Contemporary Current, evolving, and often neutral. Reflects the trends of “right now,” prioritizing function and clean lines.

The residential interior design segment accounted for over 60% of the global market in 2024, according to Credence Research, driven by demand for customized and heritage-inspired spaces.

Understanding the broader history of interior design helps put these distinctions in context. Most of what we call traditional today traces directly to European court culture, filtered through craftsmen and architects who adapted formal styles for domestic use over several centuries.

Core Characteristics of Traditional Interior Design

Symmetry and proportion are the backbone. A traditional room is planned around a central focal point, with furniture and architectural elements mirroring each other on either side.

Beyond that, several elements appear consistently across traditional styles:

  • Millwork details: crown molding, wainscoting, coffered ceilings, and chair rails
  • Natural materials: solid hardwoods, wool, silk, linen, and natural stone
  • Layered window treatments with formal drapery, often floor-to-ceiling
  • Warm, rich color palettes built around deep neutrals and jewel tones
  • Upholstered furniture in formal silhouettes with carved wooden frames

These principles connect directly to the foundational principles of interior design that every well-executed traditional room relies on, especially balance and scale and proportion.

The Main Traditional Interior Design Styles

Traditional interior design is not one style. It is a family of styles, each born from a specific time and place in European and American history.

What unites them is their shared DNA: formal form, quality craftsmanship, natural materials, and a preference for rooms that feel considered and complete rather than casual or minimalist.

A Quick Overview

Style Origin Period Defining Trait
Victorian 1837 to 1901 Ornate excess, jewel tones, and tufted upholstery.
Georgian 1714 to 1830 Symmetry, neoclassical restraint, and mahogany furniture.
American Colonial 17th to 18th Century Simple forms, exposed wood beams, and brick fireplaces.
French Country 17th to 18th Century Rustic elegance, Provencal color palette, and distressed wood.
Regency 1811 to 1820 Bold contrasts, Greek/Egyptian motifs, and brass accents.
Mediterranean Multi-century Regional Terracotta tiles, arched forms, and whitewashed walls.

Each of these styles has its own visual logic. Mixing them without knowing what defines each one tends to produce rooms that feel generic rather than grounded.

The 1stDibs 2024 Designer Trends Survey found that older historic styles including Victorian and Baroque are seeing less active use in new projects, with over half of designers reporting no plans to apply them directly in 2024. That does not mean they are irrelevant. It means the way they are being applied has shifted toward selective reference rather than full period reproduction.

Victorian Style

Victorian interior design covers the period from 1837 to 1901, spanning the reign of Queen Victoria in Britain. It is one of the most recognizable of all traditional styles, partly because it is so hard to miss.

Dark wood, layered textiles, patterned wallpaper, ornate fireplaces, and rooms packed with objects. That is the Victorian signature.

Key Visual Characteristics

Ornamentation over restraint. Victorian design was deliberately excessive. Rooms were meant to communicate wealth, taste, and social standing, and the more carefully curated the display, the better.

The core elements that define Victorian interiors:

  • Dark-stained wood furniture, often walnut or mahogany, with heavy carved detail
  • Tufted upholstery in velvet, brocade, or needlepoint
  • Deep jewel-tone palettes: forest green, burgundy, navy, plum
  • Patterned wallpaper, often with botanical or geometric motifs
  • Ornate cast iron or marble fireplaces as the room’s central focal point
  • Stained glass accents, especially in windows and transoms

The show Bridgerton, which debuted on Netflix in 2020, reportedly reached 82 million households in its first run. It was set in the Regency era, just before Victorian, and drove renewed public interest in that entire cluster of ornate British period styles, including Victorian.

Victorian Furniture and Ornamentation

Victorian furniture is heavy, intentional, and almost architectural in its presence.

Parlor pieces were central to Victorian social life. The parlor was the public face of the home, where guests were received, and everything in it was chosen to impress. Tufted settees, carved side chairs, and upholstered ottomans were the standard lineup.

Key furniture forms to know:

  • Chesterfield sofas: deep-buttoned, rolled arms, equal back and arm height
  • Whatnots: tiered open shelving units for displaying objects
  • Secretaire cabinets: drop-front writing desks with fitted interior compartments

Victorian home decor today tends to work best when it borrows selectively. A tufted sofa, a detailed fireplace surround, or a rich wallpaper in an otherwise restrained room can do a lot without tipping into pastiche.

The biggest mistake when replicating Victorian style is going too dark and too dense. The rooms that did it well historically had high ceilings and generous proportions that could absorb all that visual weight. Most modern homes do not.

Georgian Style

Georgian interior design spans the reigns of four British kings named George, from 1714 to 1830. That is 116 years of design, which is why it is more accurate to think of it as a design period than a single style.

What holds it together is a commitment to classical order: symmetry, proportion, and architectural logic pulled from ancient Rome and Greece.

Defining Traits

Georgian rooms feel mathematically planned. Everything has a reason and a counterpart.

Furniture placement mirrors itself. Twin chairs flanking a fireplace, matching lamps on identical side tables, balanced art arrangements on evenly spaced walls. This is not just aesthetic preference. It is the organizing logic behind the entire Georgian interior.

The architectural signatures:

  • Ornate cornices, ceiling medallions, and dado rails
  • Paneling, wainscoting, and layered trim that treat the wall as an architectural element
  • High ceilings with detailed top-to-bottom finishing
  • Evenly spaced windows and doors, centered compositions

Architectural details are what separate a convincing Georgian interior from a generic traditional room. Get the millwork right and everything else follows.

Georgian Furniture: Chippendale, Hepplewhite, and Sheraton

Three furniture makers defined the Georgian period. Designers and collectors refer to them as the “Big Three” of English furniture.

Thomas Chippendale was the first and most experimental. His work pulled from Rococo, Gothic, Chinese, and neoclassical sources, sometimes all at once. His early pieces used the cabriole leg with carved ball-and-claw feet. Later work shifted toward the neoclassical as tastes changed.

George Hepplewhite brought restraint. His signature was the shield-back chair, tapered legs with spade feet, and delicate inlay work in satinwood and mahogany. Clean shapes, classical motifs, no excess.

Thomas Sheraton arrived last, around 1790. His pieces were refined almost to the point of austerity, using specific woods for specific rooms and favoring straight, tapering forms with neoclassical reeding and rosettes.

According to Nicholas Wells Antiques, Georgian pieces remain highly sought after today because of their durability, refined proportion, and ability to work in both period and modern settings. That is a strong argument for investing in genuine pieces over reproductions when budget allows.

Color in Georgian interiors was pale and deliberate: cream, sage green, powder blue, dusky rose. Not bold, not stark. Think muted and intentional. Understanding color in interior design and how it functions in period rooms is key to getting this right without making the space feel cold or washed out.

American Colonial Style

American Colonial interior design grew out of necessity, not luxury. Early settlers in the 17th and 18th centuries built and furnished homes with whatever materials and skills were locally available, drawing from the British, Dutch, and Spanish traditions they brought with them.

The result was a style defined by simplicity, durability, and honest use of materials.

Core Elements and Character

Wide-plank hardwood floors are the most consistent signature. Typically oak, pine, or chestnut, laid wide and left largely unfinished or lightly oiled.

The structural features that define Colonial interiors:

  • Exposed ceiling beams in hand-hewn timber
  • Brick or stone fireplaces, often large enough to cook in, functioning as the room’s center of gravity
  • Simple, unpainted wood paneling on walls and built-in cabinetry
  • Small, symmetrically placed windows with simple wooden surrounds

Furniture was functional first. Windsor chairs, trestle tables, and simple case pieces with minimal ornamentation. Nothing that did not serve a purpose.

The color palette was driven by what pigments were available: muted ochres, colonial blue, brick red, cream, and sage green made from natural sources. These colors are still referenced heavily in traditional Colonial interior design today.

Federal Style as a Colonial Evolution

Federal style emerged after American independence, roughly 1780 to 1820, as a more refined and optimistic evolution of Colonial design. It took Georgian neoclassicism and made it distinctly American.

Key differences from Early Colonial:

  • More delicate proportions and refined ornamentation
  • Oval rooms, curved staircases, and elliptical fanlights became common
  • Furniture influenced by Hepplewhite and Sheraton, often made by American craftsmen like Samuel McIntire and Duncan Phyfe

The Federal period is where American design found its own voice. It borrowed from Georgian Britain but stripped away the heaviness and replaced it with something lighter and more optimistic. Architect Charles Bulfinch and designer Samuel McIntire were the most important practitioners of this shift.

Colonial style today works well in older homes where the architecture already supports it. Forcing it into a contemporary open-plan space rarely goes well. The proportions and the warmth of the materials require rooms that have some enclosure and weight to them.

French Country Style

French Country design does not come from Paris. It comes from the rural south, specifically Provence, where farmhouse living shaped an approach to interiors that was elegant but relaxed, formal in origin but loosened by generations of practical countryside use.

This distinction matters. French Country decor is not French formal design scaled down. It is a genuinely different sensibility.

What Defines the Style

French Country design traces back to 17th century France, when rural residents simplified the Baroque furniture popular in cities and adapted it to practical household use. By the 18th century, Rococo-influenced pieces had filtered into the countryside in simplified form, and that blend of elegant structure with relaxed, handmade character became the foundation of the style.

The palette tells you immediately where you are:

  • Lavender, sunflower yellow, sage green, warm cream, terracotta
  • Colors pulled directly from the Provencal landscape
  • Never sharp or saturated, always sun-faded and soft

Materials are natural without exception. Linen and cotton for textiles, stone or terracotta tile for floors, hand-painted ceramic for accessories, distressed solid wood for furniture. The 2024 Provence design trend report from Perfectly Provence noted that high-quality natural wood is now preferred over artificially distressed pieces, with buyers favoring furniture that earns its patina over time rather than faking it.

Key Furniture and Decor Forms

The furniture forms in French Country are recognizable and specific.

Bergere chairs: fully upholstered armchairs with enclosed sides, often in linen or toile. Present in almost every French Country sitting room.

Armoires: large freestanding wardrobes, often painted in chalky white or soft grey with iron or brass hardware. Functional and dominant.

Farmhouse dining tables: long, heavy, and usually in solid oak or walnut with turned legs. Built to seat a lot of people for a long time.

Toile de Jouy fabric, depicting pastoral scenes in monochromatic schemes, appears in upholstery, curtains, and wallpaper. So do gingham, stripes, and restrained florals. The use of pattern in French Country is layered but controlled. The goal is warmth, not chaos.

The difference between French Country and farmhouse style is worth knowing. French Country has curved lines, more ornamentation, and a slightly more formal bone structure. Farmhouse leans cleaner and more utilitarian. Both use natural materials and a relaxed approach to decor, but they come from different places aesthetically.

A strong French Country living room starts with the right foundation: stone or terracotta floors, exposed beams if the architecture supports it, and a color palette that reads warm and faded rather than crisp and fresh.

Regency Style

Regency design sits between Georgian restraint and Victorian excess. It is technically a short period, 1811 to 1820, but its influence stretched well into the 1830s, which is why the furniture style covers a wider range than the political era itself.

The driving force was the Prince Regent, later King George IV. His personal taste shaped everything.

What Sets Regency Apart

Bold contrast over Georgian subtlety. Where Georgian rooms were pale and measured, Regency rooms pushed into deep, saturated color: rich reds, forest greens, strong blues, and high-contrast combinations that would have felt excessive one generation earlier.

The defining characteristics:

  • Vertically striped wallpaper in two-tone color schemes
  • Classical motifs pulled directly from ancient Greece, Rome, and Egypt: sphinxes, lyres, griffins, winged lions
  • Brass inlay, ormolu mounts, and ebonized wood details
  • Mahogany as the primary furniture timber, with rosewood for accent pieces

According to Britannica, Thomas Hope, George Smith, John Nash, and Henry Holland were the principal designers of the Regency period. Hope’s 1807 publication, Household Furniture and Interior Decoration, was the era’s most influential design reference.

Regency Furniture Forms

Unlike Georgian furniture, which evolved organically over decades, Regency designers often tried to replicate ancient pieces directly. Flat surfaces and straight lines served as backdrops for ornate brass metalwork and classical motifs.

Key pieces to know:

Sabre-leg chairs: curved, outward-sweeping legs based on Greek klismos design. Almost universally present in Regency dining rooms.

Sofa tables: long, narrow occasional tables with hinged drop leaves, placed behind sofas. A purely Regency invention.

Trafalgar chairs: named after the 1805 naval battle, featuring rope-twist back rails and a curved Grecian silhouette in beechwood with black and gilt finish.

The Brighton Pavilion, commissioned by the Prince Regent himself, is the most extreme expression of Regency taste, mixing Indian exterior architecture with Chinese-influenced interiors and Regency furniture. It was deliberately excessive, but it shows how far the style could stretch when budget was not a concern.

Regency style works well in formal living and dining rooms. The strong color palette and classical hardware read as deliberate and sophisticated rather than merely ornate when the proportions are right.

Mediterranean Style

Mediterranean interior design draws from over twenty countries bordering the Mediterranean Sea. Spain, Italy, and Greece are the primary sources, though Moorish influence from North Africa runs through all of them, especially in tilework and geometric ornamentation.

This is not a unified style. It is a family of regional traditions that share common materials, climate logic, and a commitment to indoor-outdoor living.

The Architecture Comes First

Mediterranean design arrived in the United States in the 1920s, first in coastal resort architecture in California and Florida, where Spanish Colonial roofs were paired with Tuscan plaster walls. The style spread from there into residential use.

Structural elements that define the look:

  • Arched doorways, windows, and interior pass-throughs
  • Exposed ceiling beams in rough-hewn timber
  • Stucco or plastered walls in white, cream, or warm neutrals
  • Terracotta tile floors or natural stone
  • Wrought iron in hardware, railings, and lighting fixtures

The indoor-outdoor connection is not optional. Loggias, courtyards, and broad patios are part of the design, not additions to it. Rooms that open directly onto outdoor spaces through French doors or wide arches are standard in genuine Mediterranean interiors.

Regional Variations Within Mediterranean Style

The three main regional expressions differ enough to be worth distinguishing.

Region Palette Signature Element
Greek Stark White and Cobalt Blue. Whitewashed plaster walls, iron furniture, and minimal ornament.
Italian Warm Earth Tones and Ochre. Arched forms, Tuscan materials (stone/marble), and rustic wood.
Spanish Terracotta and Vivid Accents. Azulejo tilework, cobalt mosaics, and low-profile rustic furniture.

Spanish azulejo tiles, with their intricate cobalt and white patterns, are the most immediately recognizable element across all Mediterranean sub-styles. They appear on floors, walls, staircases, and kitchen backsplashes.

Texture matters as much as color here. Rough plaster walls, handwoven rugs, ceramic vessels, and unpolished natural stone all add tactile depth to spaces that could otherwise feel flat.

For Mediterranean home decor, the most common error is going too dark. The style was built around maximizing light in warm climates. Light walls, sheer curtains or wooden shutters, and generous window openings are the right starting point, not heavy drapes or deep paint colors throughout.

Key Elements Shared Across Traditional Styles

Every traditional style covered in this article operates by the same underlying logic. The specific forms differ, but the design principles are consistent.

The 2025 Houzz Kitchen Trends Study found that traditional style rose 5 percentage points among renovating homeowners compared with the previous year, reflecting a wider shift back toward craftsmanship and architectural detail.

Symmetry and Proportion

Symmetry is the backbone of every traditional room, regardless of which period style it follows.

Room layouts mirror themselves. Matched pairs of chairs, lamps, art panels, and architectural elements create the visual order that makes a traditional interior feel settled and complete rather than random or improvised.

Proportion matters just as much. Oversized furniture in a small room, or delicate pieces in a large formal space, undermines the entire composition. Getting scale and proportion right is not optional in traditional design. It is the foundational decision everything else depends on.

Millwork and Architectural Detail

Crown molding, wainscoting, coffered ceilings, chair rails, and paneling are not decorative additions to traditional interiors. They are part of the architecture.

Welsh Design Studio noted in their 2023 trend report that custom millwork and architectural detail were among the most requested elements by designers and homeowners returning to traditional style, alongside arches and built-ins.

The millwork categories that appear across all traditional styles:

  • Crown molding at ceiling junctions
  • Wainscoting or dado paneling on lower walls
  • Coffered or beamed ceilings in formal rooms
  • Built-in cabinetry and shelving with detailed face frames

Without this layer, a room with traditional furniture simply looks like a collection of antique pieces. The millwork is what makes it read as a complete interior.

Natural Materials

Every traditional style uses natural materials, full stop. There is no version of Victorian, Georgian, Colonial, French Country, Regency, or Mediterranean design that works with synthetic substitutes at the primary level.

The core material palette shared across styles:

Wood: hardwoods only, in varying tones from pale satinwood to dark walnut and mahogany.

Stone: marble for fireplaces and formal surfaces, limestone or slate for floors, depending on the style.

Textiles: wool, silk, linen, and cotton in varying formality levels. Velvet and brocade for Victorian and Regency; linen and cotton for French Country and Colonial.

The texture dimension of traditional design is worth attention on its own. Understanding texture in interior design and how layered natural materials create depth helps explain why high-quality traditional rooms feel so different from cheaper approximations of the same style.

Layered Lighting

Traditional rooms use multiple light sources at different heights. A single overhead fixture is never enough.

The standard layering approach:

  • A chandelier or ceiling fixture for ambient lighting
  • Sconces on walls flanking fireplaces, mirrors, or architectural features
  • Table lamps on side tables, consoles, and desks
  • Occasional accent lighting on art or architectural details

Chandeliers in particular are inseparable from traditional design. In Georgian rooms they were crystal and brass. In Victorian rooms, oil and later gas fixtures with ornate metalwork. In Regency, cut crystal with ormolu mounts. The specific form changes, but the presence of a central hanging fixture is consistent across all periods.

How to Apply Traditional Interior Design in a Modern Home

Most people are not decorating a Georgian townhouse or a Victorian manor. They are working with standard modern construction, open-plan layouts, and contemporary proportions. Traditional style can still work in these spaces, but the approach needs to be selective.

The 2024 Houzz and Home Study found the median renovation spend reached $24,000 in 2023, a 60% increase from 2020. Homeowners are spending more, and many are using that budget to bring period-inspired detail into otherwise contemporary homes.

Traditional Style on a Budget

Full period authenticity is expensive. Genuine Georgian antiques, handmade millwork, and natural stone are all significant investments. That does not mean the style is out of reach on a moderate budget.

Where to prioritize spending:

  • Paint, because the right color does more work than almost any other element
  • One anchor piece of furniture per room, authentic or high-quality reproduction
  • Crown molding and wainscoting, which are relatively affordable to install and make an outsized impact

Where to save: fabric, accessories, and secondary furniture. Mixing authentic architectural detail with simpler furniture is more convincing than the reverse.

For traditional color schemes, both Benjamin Moore and Farrow and Ball offer period-appropriate palettes that make paint selection much easier. Farrow and Ball’s curated range of around 132 colors is particularly useful because the palette does the editing work for you. That matters in traditional interiors, where a slightly wrong color undermines the whole room.

When to Mix Traditional with Transitional

Not every room in a home needs to commit fully to one traditional style. Mixing traditional and transitional design is one of the more practical approaches for modern living.

What mixing well looks like in practice:

Keep architecture traditional. Millwork, ceiling detail, and fireplace surrounds set the period tone without requiring period furniture throughout.

Modernize the textiles. Contemporary upholstery fabrics in clean silhouettes against traditional architecture read as intentional and current rather than dated.

Use one dominant style per room. Rooms that split equally between two period styles tend to feel indecisive. Let one lead, and let the other provide selective reference points.

The 2026 design trend identified by Rocky Hill Home and Studio McGee as “New Heritage” or “Modern Traditional” follows exactly this logic. Traditional millwork, vintage-inspired hardware, and classic fabrics combined with simplified furniture forms and current paint palettes. It is, in practice, the same discipline traditional designers have always applied: work from the architecture out, and let the details carry the history.

The broader context for all of this is covered in a detailed look at the full range of interior design styles and how traditional styles relate to contemporary, modern, and transitional approaches. Understanding where traditional sits in that wider picture helps with decisions about how far to push a period reference and when to pull back.

FAQ on Traditional Interior Design Styles

What is traditional interior design?

Traditional interior design refers to styles rooted in 18th and 19th century European decor, primarily British and French in origin. It is defined by formal symmetry, rich natural materials, ornate millwork, and warm color palettes drawn from period interiors.

What are the main traditional interior design styles?

The core styles are Victorian, Georgian, American Colonial, French Country, Regency, and Mediterranean. Each comes from a specific historical period and region, with its own furniture forms, color palette, and architectural character.

What is the difference between traditional and transitional interior design?

Traditional design follows period-specific rules: particular furniture silhouettes, formal symmetry, and historical color palettes. Transitional design blends traditional structure with contemporary elements, producing rooms that feel classic but current rather than tied to one era.

What furniture styles are considered traditional?

Chippendale, Hepplewhite, Sheraton, and Thomas Hope designs are all traditional. So are tufted Victorian sofas, French Country bergere chairs, and Colonial Windsor chairs. The common thread is solid hardwood construction, crafted detail, and formal proportions.

What colors are used in traditional interior design?

Traditional color palettes lean warm and rich: deep jewel tones in Victorian rooms, muted sage and cream in Georgian spaces, sun-faded lavender and ochre in French Country. Farrow and Ball and Benjamin Moore both offer period-appropriate palettes worth referencing.

What materials define traditional interior design?

Natural materials only. Solid hardwoods like mahogany, walnut, and oak. Stone for floors and fireplaces. Textiles in wool, silk, linen, and cotton. Brass and wrought iron hardware. Synthetic substitutes at the primary level rarely hold up visually in a traditional room.

Is Victorian style the same as traditional style?

No. Victorian is one style within the broader traditional category. Traditional design also includes Georgian, Regency, Colonial, French Country, and Mediterranean. Victorian is the most ornate of the group, defined by dark wood, tufted upholstery, and layered pattern.

How do you mix traditional style with a modern home?

Start with architectural detail: crown molding, wainscoting, and a strong fireplace surround set the period tone. Then simplify the furniture. Modern traditional rooms keep the bones classical and update the textiles and secondary pieces for a cleaner, more current feel.

What is French Country interior design?

French Country design comes from the rural Provence region of France. It combines rustic distressed wood, natural linen and cotton textiles, toile de Jouy patterns, and a soft palette of lavender, sage, and warm cream. Relaxed in feel, but with clear European elegance.

What lighting works best in traditional interiors?

Layered lighting is standard: a chandelier for ambient light, wall sconces flanking architectural features, and table lamps on side tables. Traditional rooms never rely on a single overhead source. The layering creates warmth and supports the formal, considered character of the style.

Conclusion

This conclusion is for an article presenting traditional interior design styles as a family of distinct period aesthetics, not a single look.

Victorian ornamentation, Georgian neoclassical proportion, Colonial simplicity, Regency boldness, French Country warmth, and Mediterranean openness all operate by different rules.

What connects them is craft, natural materials, and rooms built around architectural detail rather than surface decoration.

Whether you are working with genuine antique furniture or applying period-inspired millwork to a contemporary space, the same principles apply: get the symmetry right, layer the lighting, and choose materials that age well.

Classic design does not go out of style. It just gets applied with more or less confidence.

Andreea Dima
Author

Andreea Dima is a certified interior designer and founder of AweDeco, with over 13 years of professional experience transforming residential and commercial spaces across Romania. Andreea has completed over 100 design projects since 2012. All content on AweDeco is based on her hands-on design practice and professional expertise.

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